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Tango - Captivating & Inspirational

Tango in Silouhettesilhouette6 The principal objective of Tango Fantástico is to promote the art and culture of Argentine Tango through instruction and demonstration.

Often described as the seductive dance of one body with four legs, Argentine Tango is an expressive dance that follows artistic lines which are both improvised and led.  The dancers become the music and the music is the dance.

The tango embrace is close, soft and warm. Complicated improvised patterns are executed with precision and elegance; the tangling and unraveling of intertwined legs, deliberate and poised.  The fluid movement of the dancers is captivating and unique - an improvised dance is never repeated. 

 

Contact Us

Most information is provided on this website.  If you were unable to find the answers to your questions we appreciate your direct inquiry. Forms are provided regarding Private Class inquiries as well as a more generic form for questions from Group Classes to Performance or Music.

Please complete one of the appropriate forms:  

Thank you, 

Sue Flanagan, Tango Fantástico

workshop_jorge_torres-2009-01_1.jpg"It is wonderful to see the Maestro at work… there is SO MUCH to learn!" - Sharon W.

"Jorge stated he's been dancing for 38 years; I don't have that long to learn!!  He's so wonderful to watch as he glides across the floor! - how long will it take me to become only half that good???" - Jean S.

"It was by far the best workshop I've attended!" - Shekhar P.

"Jorge is the teacher that I use things from his group classes. I consistently use his ideas and incorporate what he teaches. Thank you for organizing things with him. He's a real treasure!" - Bob L.

Students dancing the tango at a workshop taught by Jorge Torres“What a wonderful experience my lesson was. It was a combination of gentle life philosophy, relaxation, massage, mind and spirit balance and, oh yes, tango.  I arrived from work, uptight and stressed, and I arrived back at work in the most peaceful state I have been in for a very long time. What a trip!”  - Su M.

"Jorge hones in on the details so that you can see exactly where you need to be and where your weight should be…" - Sharon W.

"I never knew four steps could be such a challenge!" - Wes Y.

"Every class is “Simple but Difficult!”!!" - Albert B.

"To learn so much in two hours that not only reinforced the training I have already received but introduced more of the reasons that strengthen my desire to be an Argentine tango dancer…" - Jean S.

Students dancing the tango at a workshop taught by Jorge Torres "Jorge is the very best teacher and wonderful person, and I don't know words good enough for his dancing.  I'm looking forward to more opportunities to attend his classes and workshops.
Sue, thanks a lot for organizing Jorge's visits to Bay Area, you give us all a wonderful chance to learn." - Natalia R.

"Sue, thank you for all your hard work in making these workshops happen with Jorge. Jenny and I know these opportunities just don't magically materialize. We both think these classes were the best yet, and we look forward to the next time he's here." - Bob L. & Jenny A.

"Sue, thank you so much for your unending energy to make it possible for so many to work with Jorge.  I completely enjoyed him as always and when he is around will do some more in the future.  I loved my private class with him and will do this again in a heart beat.  The show was fantastic, the music completely over the top and what shape they all are in!" - Lizbeth H.

History of Argentine Tango

Weathered political map South America - home of Argentinean tangoTango evolved in Argentina before the invention of the phonograph.  In the mid-late 1800's a gathering of musicians who could play rhythm, melody and tune in harmony played improvised tango music - dance music - to entertain.  A ménage of African slave dance, Cuban habanera, French colonial dance and European Polka all contributed to the unwritten score.

Displaced gauchos from the receding pampas of Argentina gathered in the bordellos of the poorer barrios (districts) of Buenos Aires to enjoy a little leisure time with the ladies.  It is hardly surprising that the dance was scorned by the elite, upper class that considered such behavior deplorable.

 

Argentine bandoneonist
Argentine bandoneonist

The dance craze in Europe and the United States between 1912 and 1915 significantly influenced the social acceptability of Argentine Tango, and by the early 20's new instruments were finding their voice in tango. The piano, the German accordion known as the bandoneon, violin and flute created a new genre of music, with a unique sound, and composers began to write music for the budding small orchestras.

 

Music provides the rhythm and the conversation that is expressed visually in dance.  Phrases are often repeated from one instrument to the next, signifying the dialogue.

The steps of the tango dance began with a simple walking step.  The synchronized body movements evolved, accentuating lines, in a conversation of body language.  New steps developed to accommodate crowded dance floors, and artistic embellishments added for unique style and flare.

It takes two to tango. Described as the seductive dance of one body with four legs, tango is intimate and private - the observer, the voyeur.  The tango embrace is close, soft and warm.  Complicated improvised patterns are executed with precision and elegance; the tangling and unraveling of intertwined legs, deliberate and poised.  Smooth directional changes are integrated into a sensual, passionate chase that climaxes in the occasional dramatic, passionate pose.

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